classic glenn underground making the mpc sing. a must have for fans. glenn is more than a dj, he is a very talented musician and this 12 inch showcases some of his subtle and wonderfully layered production.

the very first release is by montreal based artist, stefny winter who emerges here with a wonderfully crafted tuned project. slightly stripped down but at the same time, providing a low end, fizzle bass, winter pushes hypnotic rhythms with a not so subtle smirk. a wink to audion, or a perlonesque aesthetic, this ep ensues a groovy moment as well as heartily groove.

alma negra is not only a mountain in the cordillera de la ramada range of the andes mountains, it is also a collective who are based in basel, switzerland. the collective is made up of miajica, dario rohrbach & dersu figueria. they are passionate diggers who loves playing music from all over the world & had their debut last year on the infamous sofrito label with heavy edits from the islands of cabo verde. this release on basic fingers is unique in every way, the keyword of this ep is rhythm. the trio has created something truly imaginative, captivating, and capable of tingling every muscle in your body. three wonderfully inventive & accessible tracks & another basic fingers sureshot.

kasset is very proud to announce the first release, andré and leslie - stress. it is a re-issue of a track originally released in 1979 on the cusp of the belgium new wave explosion, crossing the disco and wave wonderfully. be bloody quick!

spain has been in the front line of a fascinating new movement of fresh house talent, and with ibiza s summer already in the horizon, we didnt hesitate to bring tato, one of its uprising ambassadors, resident at the world famous dc10 and partner with tania vulcano on the uber cool isgud imprint, into our evergrowing roster debuting with a groovy set of wonderfully crafted club tracks.

huge support from: marco carola, richie hawtin, riva starr, gorge, sossa, mihai popoviciu, stacey pullen and many more... suro records is pleased to presents it s new release -be quiet- an explosive tech house loaded with a powerful bass line and a great percussion that make virtually impossible to honour the name of this excellent piece. the side b contain a deep twist with a dark atmosphere wonderfully remixed by el mundo, half of famous dutch duo - el mundo & satori- needs no introduction, his magnificent remixing skills have brought an exquisite track that will spread this amazing sound all summer long.

the us producer recently joined the ranks of talent residing in berlin and its evident the european techno capital is having a subtle sway on his sound on the basis of this apotheke ep, most notably the title track. theres a sense of driving momentum wedged deep in the sonic dna of this track, complemented well by a low slung bassline and airy synth melodies. elsewhere huertas sometime studio sparring partner urulu adds some percussive flex to the pulsating swing set, whilst kingsleys groove swerves the sound back towards deeper house and is apparently named in honour of a friends cat. glenn astro of the tartelet crew ends the release with a wonderfully bumping take on the track.

tiagos interzona 13 label has two sold out and superb eps to its name already and we are very happy to present their third. tiagos unique reputation as a dj is matched by the distinctive quality of his productions primeira visao sounds like a track that might emerge in the mix on a vintage chicago cassette, iberican jazz-funk top lines and raw, snapping drum machines beneath. segunda visao could quite easily be a vintage black cock or noid release, a wonderfully psychedelic disco rewire, that goes way beyond the world of ten a penny edits finally cruzar facas takes a tougher path to dancefloor emancipation, marrying a fierce, pitched down techno groove to some seriously heady soundscape and tonal effects another beauty then from this outstanding, diverse and incomparable imprint.

balearica brings the quality yet again with another stunning selection of unearthed eclectic gems. first up is one of the the all-time balearic/cosmic classics, the highly sought-after *i love you dancer* from french disco group voyage, a wonderfully funky floor-filling paean to fancy dancers and sweet romancers - total killer! followed by the dreamy instrumental version of italian crooner vasco rossis *una splendida giornata*, a beautiful sweeping slo-mo chugger. another instrumental opens the b-side, this time fonda raes in-demand dub of *heobah* with its relentless tripped-out synth groove. and lastly we have michael cretus little-known cosmic delight *flying to heaven*, a glorious slice of laid-back pop paradise hidden away on the b-side of a super-rare 1978 italian 12 inch. essential collection for lovers of the balearic sound.

she can reach sees the boys from cologne deliver a thumping tech-house number with an extraordinary male vocal and wonderfully groovy bassline. the remix comes from the label boss himself. marc reworks the original, creating a prime-time smash. the third track on the ep, special, is a strong percussive groover that rounds out the release to perfection

for its first release of 2014, sammy dees ultrastretch label has called upon monsieur georget. youre forgiven if the name is unfamiliar. his bio offers few clues—he likes his bicycle, vin rouge and analog hardware, the latter of which was apparent on his recent debut for le loup and seuils hold youth label. bold and auspicious, the ep may have left you wondering if it was something more than a first record. and as it turns out, monsieur georget is none other than chris carrier, the long-active french purveyor of hypnotically minimal house.luckily we werent left waiting for very long for more material from carriers new alias. his second release, le vicieu / colle de la bonette, shows that monsieur georget and monsieur dee share an affinity for pared down, wonderfully elastic club tracks. like carriers best work, the compositions themselves are minimalist, but their hardware-based sound pallet ensures theres plenty of meat on the bones. a-side le vicieu is a subtly melodic shuffler, where deep bass growls at the core of an expansive drum set and whispers suffuse the negative space with mystery. on the flipside, colle de la bonette takes the sound someplace stranger and more psychedelic. whatever weird place were whisked off to, though, its every bit as funky, with brittle drums undulating to the kicks deliciously irregular throb. >monsieur georget< might be a brand-new name, but we’re willing to wager you ll quickly get to know these rollers well.

bobby o donnell, it should be noted, really brings his agame to the table on the release. much like the title suggests, its an ep thats full of lucid moments, with blissful moments of tranquility wonderfully rubbing shoulders with more introspective and melancholic fare throughout.

the long awaited single release from marc evans soul descendant lp *supernatural* is here! this beautifully, funky re production is star studded with musicians and arrangements that you seldom hear on dance music these days. it funks, grooves, and jams with a vibe that we could only capture in a live session. you will definitely roll through the credits in amazement. adding to this release are the remixes of by john morales whos work is the stuff of legends. his mix of *supernatural* will amaze you with his killer drum patterns and wonderfully crafted arrangements. quantize recordings is proud to present marc evans doing his thang once again ... it is supernatural!

waehlscheibe stays true to its dub house approach last heard on waehl 003 with p.laoss: the swiss label has compiled four wonderfully relaxed and dubby tracks by various artists for release 004 – again vinyl only! alessandro crimi starts the record off with his incredibly deep >gravitation< which revolves around an ultra wam and morphing pad. s&ros >drunken hats< is just as funky as its dubby and perfectly fits the labels philosophy – just like a.s cudias >cadendo< which relies on super sweet rhodes and pianos to form a deep and melodic house song – two fantastic tunes. baldo from spain finishes the ep with his smooth oldschool house track >deep & down< which delights with tons of machine funk. waehlscheibe continues to amaze with these four musical gems that underline the labels talent to assemble brilliant musicians and compile wonderfully deep records. once more all tracks have been mastered by above smoke at the hole of dub studio.

ellis de havillands original art brut and authentic idiot savant music: lost and found heavy and raw, wonderfully obscure and brilliantly retarded, crazy and intense acid house ghetto trax from the chicago underground 89 - 91. released on bunkers new 4000 series. 200 copies edition!

ellis de havillands original art brut and authentic idiot savant music: lost and found heavy and raw, wonderfully obscure and brilliantly retarded, crazy and intense acid house ghetto trax from the chicago underground 89 - 91. released on bunkers new 4000 series. 200 copies edition!

after recently inaugurating its run with a crop of tunes aimed squarely at the dancefloor, brooklyn s newly launched peach label—an imprint headed up by turrbotax® co-founder rem koolhaus—has shifted gears on its second release, broadening its vision beyond the club and offering up a pair of wonderfully immersive tunes from earth house hold

e.a.r always pull something perfectly summery out of the bag just as the sun pokes it head from behind the clouds and with *mercado viejo*, it is no different. this carnival style mood lifter is destined to have heads nodding and feet tapping in beach bars and around pools all over the world. news has it that it is already heralding the summer season in ibiza in a wonderfully cheerful way.

the 7th sccucci manucci ep kicks off in moustache curling style with a scandinavian slice of four / four action from tarjei nygard. on loan from his own untz untz records, tarjei nygard weaves his way way through beautifully recorded synth bleeps and bass lines on togo, culminating in a piano breakdown which will have any party reaching for the lasers. the scandinavian vibe continues as dane brian logstrup comes correct with the classic slab of deep house sound that is i can dowhilst we return to the uk and the sounds of london producer mella dee whose uk garage and bass influences shine through on the peak time monster love is. last seen debuting on buzzin fly, alex blaxx rounds off proceedings with the wonderfully insouciant house of its a race thing

new sheffield label shabby doll records makes its debut with nails donks ep. nail is nottingham-based neil tolliday, a producer who spent the last decade creating deep downtempo joy as one half of bent – their debut album *programmed to love* helped ease the worlds ills back in 2000. now, with love for nails solo manoeuvres truly reignited, sheffields shabby doll label is taking the next step with his first new solo material for years. called donks, nails new four-track ep showcases his flawless dancefloor instincts: there is something deliciously seductive about this early hours charmer. one to play when things are getting wonderfully weird… and finally, never4gedit brings back the sunshine with some sweet, melody-flecked disco. with nails vintage house output currently proving to have real staying power, lovers of real british house music eagerly await his new tracks. so if you have got a dark room and a feeling, let nail, shabby doll and donks add a little magic to the night.

a bunch of bubbling uk deep house players line up on introducing newington, a new label of the same name that is clearly fond of the n16 postcode with vocal house on the menu. ejeca, the irishman earmarked as the next bicep, keeps up his relentless form this year with the opening track robodrum which is a playful shuffling little house number that rotates between stabbing vocal samples and piercing chords. moving south of the irish border, dublin based frank b kills it with trieste a wonderfully warp cut that sounds like it has been recovered from a dust filled dat tape. london types jack fell down take a cleaner, but no less infectious approach on for you whilst midlands type tom flynn rounds it out with the deep and bouncy going on.

having launched the n16 loving newington label with a split release from a range of bubbling uk house talents, waze & odyssey turn to a more familiar name for the second release with the cross flatts ep from pbr streetgang. formed of the wonderfully named bonar bradberry and tom thorpe, pbr streetgang have been quietly accruing a respectable discography since the project was founded oop north roughly five years back. elevated into wider consciousness last year thanks to some stellar 12 inches across hot creations, 20:20 vision and futureboogie, it makes perfect sense for bradberry and thorpe to add the similarly minded newington label to their cv with both cuts on this 12&#8243,,, fitting snugly into the current lexicon of vocally driven deep house.

continuing along their musical path to bring us the most illustrious and innovative electronic music, visionquest welcome talented production trio rework onto the label with touch. four wonderfully distinct and driving cuts combining icy minimal structures with catchy female vocals, anglo french funk antics and a dash of dancefloor melancholy

at times painfully raw, at others wonderfully mischevious, this is the record to confirm aquarius heaven as a project that transcends the formulas of electronic music to become something that reaches beyond the dancefloor.

riding high on the wings of their previous release pulling strings on their red series, eclectic avenue records bring us rear002 deep in it by small giants. small giants is the wonderfully ingenious marriage between leeds based label manager jacob kelly (j.cub) and the chicago house legend joshua iz. combining their skills, they have taken a heady guitar lick, underpinned it with a smoothly infectious bassline and sewn it all together with a warm soothing vocal sample. call it house, call it disco. either way, it is a surefire dancefloor killer and will take pride of place in any dj or collectors record box. flip her over for a remix by leeds darlings pbr streetgang. currently the hottest thing to come out of dance musics unofficial capital, the cheeky duo have put their own twist on the original by filling the track out with some chuggier deeper vibes whilst highlighting the instrumental solos. a hugely successful foray into a funkier tone for what promises to be another trophy in the e.a.r cabinets.

matlocks finest rhythm plate resurface brandishing a new label in pressed for time, and what better way to inaugurate it than revisiting one of their key tracks. released back in 2002 on the mantis label run by atjazz, >lean part 2< was a wonderfully sleazy slab of deepness notable for the lascivious vocal hook that hung slinkily over the production throughout. it still sounds superb some 13 years on and is backed with an unreleased version that was done in the same period, along with deliciously freaky new >leaner< mix from the pair

echovolt notch up their 8th release with a fine offering by r-a-g and crystal maze member, g string! g string delivers two delicately rough dance music delights, effortlessly marrying tripped out emotive ambience to the essence of jack. the 12inch is topped off with a wonderfully blurred out remix of ghoul by d marc cantu! limited to 300 copies only.

next round for chymeras >death by misadventure< interpretations. this time, both remixes were made for >an island in space<, definitely one of the highlight tracks of the album. on side a, uncanny valleys jacob korn, who just released his debut longplayer >you&me<, turns the tune into an intoxicating hymn somewhere between house and techno. catchy, and with a wonderfully positive atmosphere, the track is pure bliss. on the b, dutch techno veteran orlando voorn delivers a piece of properly driving melodic techno. several melodies entangle to one big sound collage. there is no real beginning or end, like a neverending jam. a very unique track and so much more than a useful tool...

poker flat recordings explode back on to the scene with yet another essential release – this time its the turn of house music legend boris dlugosch and his wonderfully titled ep knalldrang.

on this second remix 12 inch pbr streetgang deliver a wonderfully deep modern house groove, toby tobias delivers 2 mixes straight out of the 90s basement and glaswegian wunderkind barrientos offers a kind of sun-kissed gypsy woman style re-invention.

debut release on machine limited from this la-based production duo (alex mouracade and tk disko of jolly jams). a wonderfully revamped cover of dj camachos underground nu groove hit single slave. originally under the moniker camachos project with vocals provided by regina wilson, split secs updated versions are quite faithful to the original song but with an added production warmth and sonic pressure to each of their mixes. split secs called upon their talented friend alona to perform the vocals, a smoky and sensual mixture to the music–complimenting the catchy keyboard melody that made the original version so recognizable and danceable in the first place. comes with vox, instrumental and raw dub mixes. fans of dfa, golf channel, et al will love it. limited pressing.

guy gerber welcomes the wonderfully talented sonodab to his supplement facts imprint with his nowhere ep - four original tracks, taking you on a journey through deep, dubby house and techno

at the end of 2006, erol alkan was at a crossroads. he’d been voted dj of the year by mixmag. he’dmade landmark, expectation-defying remixes for bands he loved: a crunching “glam racket” reworking of ‘do you want to’ for franz ferdinand, a wonderfully wistful reinterpretation of hop chip’s ‘boy from school’, a psychedelic take on scissor sisters’ ‘i don’t feel like dancing’ and a genre-defining reworking of justice’s ‘waters of nazereth’.

theres a storm brewing on stil vor talent this summer! after stellar 12inch by edu imbernon & triumph and niko schwind, were soaking your senses with a wonderfully wide-ranging split-ep courtesy of the swiss boys animal trainer and the koletzkis groove machine björn störig!

years after delivering a remix for booka shade in 2006, shinedoe makes her solo debut on get physical this winter, bringing with her a wonderfully fresh sound in the form of her transcendental ep. she takes us to the tops of mountains and then drags the deepenst waters. light is a deep mix of techno cascades and funk groove. we build up momentum with piano and driving percussion toward a climactic break, then pull you further into the vibe. transcendental brings a treat of dazed synth and organic percussion. a trip into the music brings us to the dark rooms of late night. we are entranced with thick bass and hypnotic repetition throughout the course of the dancefloor friendly track. next we are immediatly entrapped by the muffle of cosmic, under a thick sheet of foggy ambience. vocal cuts stab the air, setting the pace for a sudden bass groove. the track is deep, solid and very detroit.

with eddie cs previous creation for lets get lost barely out of the barrel of the the labels finely engineered hand cannon we are bombarded with two more selections from the canadian turned berliners seemingly limitless arsenal of secret weapons. masterful re-arrangement as ever ever from the now seasoned producer. side a yields wonderfully quirky balearic vibes while on the flip a horn and string led disco barn stormer reminiscent of a rub-n-tug unknown gem provides what is, for us at least, the highlight of the ep. two very different tracks and a great package all round.

label chief master-h stepping up and not for the first time, raising an already high bar, once again skyward. >stabs call< sees h team up with the wonderfully talented saxophonist, geoffrey secco. not only does geoffrey play regularly with the legendary tito puente, but he has now joined h is their own band ... more on that, very soon
support from deetron, len faki, laurent garnier, slam, steve rachmad, nuno do santos, soul clap, samuel l session, rainer truby, sis, norman nodge…, ...

ltd 2012 repress !! after two and a half years of waiting, marc romboy and stephan bodzin finally return with their ninth single collaboration, >triton<!!! yet another wonderfully unique piece of music, >triton< is the lead single from their debut album >luna< which is set for release on triple cd and six vinyl record set in february 2011.

a double helping of killer cosmic rarities from legendary miami-based disco label t.k., bringing together two super-obscure cuts from 1979 - queen samanthas amazing progressive electronic disco odyssey >take a chance< and the heavy soul/funk epic >cosmic funk< from the wonderfully-named mad dog fire department. the queen samantha track is eight minutes of slow-burning disco bliss - a bubbling mid- tempo monster with awesome percussion, super-funky bassline and the queens glorious soaring vocals which caused mayhem on the dance&#64258,,,oors at mancusos loft and levans warehouse as well as being a fave on the early ny breakbeat/hiphop scene with afrika bambaata giving it some heavy rotation. flip over for mad dogs extremely hard to &#64257,,,nd >cosmic funk<, a grooving grinding low-slung workout featuring hypnotic chanting vocals and some wild synth action. remastered for top-quality sound, this double a-sider is a must for lovers of that heavy t.k. sound.

one year ago digitaline has released raouls very first release. it has been one of their most successful eps so far and both tracks instantly found their audience and brought raoul onto the main floors of the entire world, where it still stands confortably one year later. so what better than to celebrate one year of the label and welcome digitaline back home? same format: two tracks of deep techno, fat grooves and aerial melodies made for the dance floor. almost made on the dance floor. true! digitaline’s sound is always very inspired by their live performances and with those two tracks the boys wonderfully managed to transpose the best of their live skills, energy and dynamic. before finally being released here, both tracks have been played live on many floors throughout 2011, adjusted slowly set after set to touch every soul listening. a-side neon is a massive groove infecting the entire track through long breaks, while synth strings generate waves of tension in the piece. b-side comet is build around a big round bassline and concret noises that give the track its organic motion. the melodies of the track seem to come out of a fairy tale, dreamy arpeggios that defy the laws of gravity.

backflash - as the title of kellerkinds new ep on stil vor talent rightly suggests - is a full-blown blast from the past that utilises 80s aesthetics in order to craft a wonderfully contemporary ep much in vain of the en vogue sound of 2011: slow, forceful goovers with basslines so big, they might just crush you. nothing less was to be expected of the charismatic swiss producer marco biagini who has already proven his wide-ranging understanding of house music with tracks like länzer is a dänzer or groovebox.

onur engins latest ep of super fine cut finds us in a white 74 caddy cruising up harlem river drive, top down, diggin the nyc scene. the mizells epic production of bobbi humphrey is taken a notch up by onur engins clean and tasteful edition. can it be possible another notch up? emphatically yes - just that extra pump, wonderfully looped and extended intro and were cruising.dropping us down a gear on the flip, onur takes al johnson & jean carnes im back for more & gwen mccraes lets straighten it out and takes us in two equally appealing directions.in back for more,onur engin reconstructs a deep & stellar voyage.straighten it out hits the blue highway with mccraes unique vocals in full flight.another great installement of onur engins warm & natural edit series. dont miss!

chicagos ricardo miranda makes his debut for the ace stilove4music label, maintaining a fine year in which he has already dropped some serious heat on rush hour sub-label hour house is your rush and his own noble square imprint. title track >102point7< is all jagged synths, throbbing arpeggios, slashing claps and a rolling acid groove, marking it out as one of his most incendiary productions to date. on the flip >rotary cells< is deeper still, a 909-led jacker with undulating layers of sub bass augmented by a wonderfully woozy vocal which extols the virtues of true chicago house. this is followed by >greenline<, a stripped back jam with scuttling hats and the kind of paranoid synth melody that wouldnt sound out of place in jeff mills something in the sky series. this is dark, raw, pulsating dance music - highly recommended.

one of the founding members of the ostgut ton family, marcel dettmann recorded his debut 12inch for the label alongside ben klock with >dawning< some five years ago. now after a string of highly praised releases, his debut album >dettmann<, and a handful of uncompromising records on his own mdr label, we arrive at this new ep for his home label. launching us into the space-race, >barrier< documents those tense moments of discovery as we reach into new territories. dettmanns unique textured sound design sets the scene before diving into >translation one< - a frantic, quivering and snaking snapshot into the kind of techno the producer stands for these days. metallic bass spins sideways, while ever-modulating percussion drives forward. the sinister sci-fi tones of >translation two< warble and jive in glorious syncopation as a systematic heavy kick and hat program works the bass frequencies and rhythmic zones. open and spacious, its meandering theme hangs deliciously between paranoia and positivity. in >planning< dettmann further explores his inclination for intricate, tripping synth patterns. a staggered, wonderfully immersive theme builds from delayed staccato notes in a classic analog sequence, underpinned by rumbling dub bass pressure

screwloose is all about gripping basslines that tear dance floors apart. this release features a wonderfully original d&b track by loko along with a beast of remix by koan sound. what makes this a great release is the fact that the two tracks are a real contrast, both at very different tempos and styles. both tracks are pushing d&b/dubstep/bass music forward.

deep house/us garage veterans mateo & matos have been around longer than the ark. yet they remain capable of great things, as >want u tonight< proves. its a deliciously dizzy deep house concoction that marries contemporary production (see the beefy bottom end) with the twittering synth melodies and loopy organ hooks of old new york house and garage (think nu groove meets henry street). studio54s remix is classic new york deep disco house, while trevor loveys version has more of a uk jazzy house swing. all the mixes are wonderfully slick and groovesome. swayzak & phreek plus one deep symphoniac mixes is wonderful for morning and chill gigs.

philip bader, sascha braemer and nicone have been assembled in the studio and there it was: the new dantze. two wonderfully groovy tracks, perfect for the late summer, open airs and freak out moments on the dancefloor. dantze boy is a deep, hypnotic track with crazy cool rolling beats, vocal fragments and a driving synth. dantze girl will inspire the girls. guitars, vocals, love - everything that goes with it. typical bader, braemer, nicone. peace.

silicone souls darkroom dubs label has pulled off quite a coup with their latest release. taking a retrospective look through the labels archive, the duo approached some of their favourite producers, asking them to rework and give their own take some of the music from previous releases... and boy are we in for a treat! the coup in question was the securing of the talents of a certain mr robag wruhme. currently enjoying the acclaim generated from his exquisite long player, >thora vukk< (pampa), wruhme has kindly turned his attention to remixing extrawelts >neuland< for darkroom dubs. the lead track from their 2010 >neuland< marked a key moment for the label, as silicone soul celebrated the signing of an act that they had admired for many years. robag provides not one, but two reworks of the stunning original, each as impressive and moving as the other. the second rework sees john selway turning filippo mancinelli & allen mays >the hills< on its head. the deepness of the 2009 original, is still in evidence as the atmospheric sounds sweep within selways wonderfully driving tech reconstruction.

charles widmore and daniel rajkovic seem to get along pretty well, musically. their tendency to the more reduced and slightly darker side of electronic music led to a fertile cooperation that culminated in an imposing 12 inch on rrygular. the three tracks ride wonderfully unagitated and alarmingly progressive along the labels typical minimal techno road...